Interview: Naughty Jack is tempted out of his castle of solitude.
Naughty Jack, aka Adam Morley, is reclusive character. Earlier this year, he popped his head out of his shell for a spot of promotion of his album, Good Times, and to do a few appearances on the festival circuit. In turn, this generated a maelstrom of interest and gig offers that were met with polite declines. Why? Because Naughty Jack chose instead to rewire his house and consider the next album. Music Towers caught up with him and quizzed him a bit.
So it if it isn’t too obvious, what is Good Times about?
“It’s about nostalgia, which is a feeling I really enjoy; when you get a connection to all the good things that have happened to you, or even not so good things. All those things are part of you, and it’s important to feel them. Music does that for me and helps me get clear my head of any cloudy, stressy, numbness that might be in my head from everyday life.
“The track ‘Good Times’ is about me and my friends sitting in the sunshine in our old age, after all the business of life has ceased to matter, looking back at our youth when we didn’t give a shit.”
There are numerous references to alcohol on the record - do you have something that you want to tell us?
“Good alcohol helps me to get in touch with what’s important in life. It’s not the alcohol that I’m referring to, it’s the urge to suck up life and make the most of it while you can.”
Good Times, are you sure you are qualified to be a blues singer?
“No. I’ve never claimed to be a bluesman. I’m coming from a different place in a lot of ways. If I was to go around trying to be a bluesman, it would be really embarrassing for all involved. I haven’t really got the blues, I’m really pretty happy. If something bad happens, I don’t tend to dwell on it. But I’ve loved blues since I was a boy, so the influence is bound to be there.”
Your album cover proudly displays your influences, citing Professor Longhair, Townes Van Zandt, Tom Waits and Howlin’ Wolf among others. But the album maintains a pretty unique style throughout, despite the range of influences.
“I was really exciting about all these artists at the time I recorded the album and I wanted to bring it all together. On the other hand I didn’t want it to sound like a Sol Hoopii cover followed by something by The Band, for example.
“I knew that the dobro and double bass were pretty distinctive. So as long as stuck to this format and didn’t mess around with backing vocals, percussion or other instruments, I could allow the influences to flow strongly and still create a valuable, clearly defined sound of my own.”
Good Times is very laid back album, are you that laid back day to day?
“The album sounds like how I felt when I was recording it; by myself, snowed in, no-one to talk to, but with all the time in the world to write, play and record. I was emotional, nostalgic, excited, inspired; I had a supply of whiskey and I was relaxed.
“But at the same time I was very focussed on what I was doing. It felt good and right to be putting down these recordings.”
There’s an effortless quality to it despire the complexity of the playing. Did the parts come easy?
“Definitely, songs that had been bothering me for months came together easily. I recorded all the vocals in one three-hour drunken session, most are first takes. They came out croaky and a bit sloppy, but the recordings captured a feeling that I’d like to remember. I knew that if I went back to it afterwards, I’d risk losing that.”
Who would you like to work with?
“A lot of the people I’d really love to work with seem to have died recently, like some of the original calysonians and blues players. But a great piano player would be good - Pinetop Perkins is still playing, I hear.”
Where can we see you next?
“Well, I’m currently re-wiring and plumbing my house and deciding if the bassment is going to be a flat or a recording studio, and musing on the next album. So first I need to work out how this boiler is going to fit under the stairs.”
For more info on Naughty Jack, go and check out his official website.

